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Report and Images From CEDIA Expo. UK.


Posted by SMR [WizOp] [IP: 194.128.83.228] on May 21, 1999 at 20:25:08
Using Mozilla/4.5 [en] (Win98; I):

CEDIA Expo. UK venue, Novotel Hotel, Hammersmith. Nothing to shout about but adequate conference facilities and in a much improved location over previous years (Croydon).CEDIA Image (c) SMR
Richard Lord of REL with his new sub-woofer (left of image), a £600 rival to the small M&K, Velodyne and Sunfire. There were two in a system with Myriad processor and amps, and they outperformed many other much larger designs at the show. The regular line-up of RELs have undergone cosmetic facelifts with sonic 'improvements' to popular models such as the Strata, Storm and Q100E. Now if only Richard would stop calling me "Stu!"CEDIA Image (c) SMR
Meridian's tiny (tinny?) - unusual for them - booth. Not much audio to speak of, just L/C/R using really small loudspeakers and no sub. The video side of things was excellent however, an 800 Series DVD player (almost in production) delivering images to a Fujitsu plasma display with integral Snell & Willcox interpolator. Superb. No tinkering either (if you've seen S&W in action you'll know what I mean), it worked first time! Incidentally, the Meridian guys didn't know (yet) how DVD-Audio transports would interface with processors "we'll make our own proprietory links if it comes down to it" one said.CEDIA Image (c) SMR
The stand of CSE who distribute Lexicon, Parasound and others in the UK (Ian Severs in white). No audio but lots of cool new toys including an impressive-looking Parasound processor (AVC-2500, Dolby Digital, DTS, THX Ultra) and their new two-channel amp, the HCA-3500, an absolute beast. Dual mono (required two mains cords), capable of 350watts RMS into 8ohms, true class A up to 15watts and tipping the scales at 85lbs.CEDIA Image (c) SMR
Who is that fellow? Why, it's Bart presenting the Lexicon dealer training seminar. An educated crew they were too, asking all the right questions at the right times. Actually, I had the feeling Bart would be preeching to the converted but even I learnt one or two things so I guess there's always something about a Lex you don't know. There were a number of DC-2s and MC-1s at the show - the former being in a case with innards exposed, but the MC-1 works were kept tightly under wraps - we still don't know what those DACs are.CEDIA Image (c) SMR

Other items of note… PMC, the distributor of Bryston were right alongside the CSE stand – as we know Bryston and Lexicon amps are very similar. They showed a new modular multi-channel amp, the 9B ST which shares the same principals as the Krell. In its five channel form (one can create bridged multiples) the 9B ST delivers 120watts, 8ohm into all five channels simultaneously. I was impressed by how cool to the touch it was, even having been used all day long. Bryston also showed a pre-production Dolby Digital, DTS, THX processor – a hybrid design it had discrete digital and analogue signal paths, each element being on separate boards. It should be competitively priced at circa £3,200.

Apart from Meridian’s superb image display – there were other projectors of note – including a Seleco too expensive to recall for fear of serious financial damage (around £40,000). But mass-market plasma displays, particularly those from Sony and Pioneer were less than impressive, especially the Pioneer which had just about every image problem I can imagine. Pioneer did show a prototype receiver offering DTS, Dolby Digital, MPEG-Audio and THX Select processing priced at £1,600, the thing of note being the remote control, a touch-screen offering ten pages of keys and being fully user-programmable. I liked the design, particularly as keys such as volume up/down and power on/off were regular buttons – easy to find in the dark without activating the screen.

On the loudspeaker front, the Warfedale Loudpanels were on display and as usual were blow away by the sound of a passing gnat flapping it’s wings… B&W’s stand sounded atrocious… but Genelec’s loudspeakers I really liked. They’re nearly all active monitors available in a wide range of shapes and sizes. I listened to a system comprising five 1029A (5" mid, ¾" tweeter) and a 1091A sub-woofer with a Lexicon MC-1 and Panasonic DVD source. This would be considered their budget system (OK, maybe not the processing part of it). The room was small but the sense of spaciousness produced by the system was impressive, dialogue was clear and precise and dramatic scenes had the type of impact I’ve only really heard from much larger boxes. The ‘Aria’ scene from ‘Fifth Element’ was one demo piece, and even at reference level there was no sign of strain from any of the ‘speakers.

Disappointment of the show: Those 'in the know' had it on good authority that at the end of the THX seminar, all (yawn) three hours of it, there would be a 15minute clip of ‘The Phantom Menace’. The seminar was sparsely attended but at around 3pm vultures began to gather outside conference room 1 to catch the main event. Remember, in the UK ‘Phantom Menace’ isn’t released for months yet. What did we get? A 90second clip, with distorted monaural audio offset to the right of the screen. Humm… and the THX philosophy is? What a swizz.

It’s late and it was a long drive back – if I think of anything else interesting I’ll follow up.

Stuart.

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